第一章 【复旦大学】艺术哲学与审美问题（全66讲）王德峰

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/c1c63ae519cffbc70913611d3016f9b48ba235b0_subtitle.srt

1-1 课程简介

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/8f9cc51758d8d9fb25777aec74e2e57ad73e2f98_subtitle.srt

1-2 哲学代表一种修养

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/513cacdbdbcb25fc4b133de657e5f6105446b077_subtitle.srt

1-3 什么是创新的源泉 

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3de6486a3f83dfc600f70dac84abcb6648a71a3c_subtitle.srt

1-4 美与真理的关系

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3e8f3e9e83f9fe1925860541e7b5b2792a6de741_subtitle.srt

1-5 艺术判断

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/85e0866f68e2cb68488bd329255645dd888bb5a9_subtitle.srt

1-6 审美判断的普遍性

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/72cd9ea512ebc781df9a5f59cfebc4f3a91fedea_subtitle.srt

1-7 哲学与科学的差别

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/fc36c2ed201436cda15951bacccb4240c9518078_subtitle.srt

1-8 审美判断究竟是什么 

1-9 艺术实践的根据在哪里

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/25b67e619d76b6eb577440e324d4a63148449ca1_subtitle.srt

1-10 跨过艺术的门槛

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/6dcbed56a7f90ed71aa24d7ddcdcaf65935fe505_subtitle.srt

1-11 艺术是人类保存情感的唯一方式（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/ae98c5d6a2adef571a4d72523ec34337d8525b79_subtitle.srt

1-12 艺术是人类保存情感的唯一方式（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/95dcc6d4fc0bb9fc948cb4e86f4977c6ba18dd9c_subtitle.srt

1-13 反驳 再现论 

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/19bcaed3ecb43e50b2f116f66752fc27d00ed46a_subtitle.srt

1-14 艺术是以情感显象的方式对实在的再解释

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/fa5f32d7a6404fae6560d61f992d75310d3f5416_subtitle.srt

1-15 审美经验是对静观和激情的统一

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/e61f93715e2634c63b5276c004192ad088f9ac27_subtitle.srt

1-16 艺术是真理的原始发生（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3f1c04ca99fbb0e354670cf6abd9a597642f129c_subtitle.srt

1-17 艺术是真理的原始发生（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/9e4914a9f1eb8e992e523ecbd1893799a3aaf3df_subtitle.srt

1-18 两种关于美的定义：黑格尔与海德格尔（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/ae31e2d05323b6315d70979aa7a8de67d3b3275f_subtitle.srt

1-19 两种关于美的定义：黑格尔与海德格尔（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3f1b9fac7358e0272c5d1506e01fd4a4c96e4c90_subtitle.srt

1-20 作品的作品存在问题 （上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/bb8bced0e928d83c55dfb00832ed6e522654594b_subtitle.srt

1-21 作品的作品存在问题 （下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/c8da7a1484a96cbe5fb1240f156c8491f09ae35e_subtitle.srt

1-22 艺术作品的物性特质（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/2fe7866bf8aaa1ec71725fe2e372ff034860a3ae_subtitle.srt

1-23 艺术作品的物性特质（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/8fd2abb11922838ef8a1c844f1504fdbc4696c52_subtitle.srt

1-24 作品形式美的本质（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/000fa7a3b5b7cea9da77116dcc25d581569a3026_subtitle.srt

1-25 作品形式美的本质（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/73d87c075f65a0b9a7078b0e583c92e1b5178e7a_subtitle.srt

1-26 艺术陈述的方式

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/9e315e69d170483219a96553d0ba941a8d94c46e_subtitle.srt

1-27 作品的叙事语调（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/87165360703e85a20a0ef79e40b409c2c575d3ba_subtitle.srt

1-28 作品的叙事语调（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3d3040fbaab32bb24f5382b2687c0d52638b251c_subtitle.srt

1-29 叙事语调的双重性

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3b8afc58df3085d58140221b2b4c06d8c14bfea7_subtitle.srt

1-30 作品的双重语境 （上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/582dc63501be3f4ef8a6858d670dbb86630d3f49_subtitle.srt

1-31 作品的双重语境 （下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/bcdab5615198a952090e9639ec582f646a7ff071_subtitle.srt

1-32 从双重语境看作品的存在方式

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/4ea14b1e848764f5b22244ceba9ac3b8b951ee29_subtitle.srt

1-33 艺术作品的内在视域(上)

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/e8e4c58579922e5d3677a6e40086291abfdf521a_subtitle.srt

1-34 艺术作品的内在视域(下)

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/c3756467a034b562b1893c3bb190ae4585bf64dd_subtitle.srt

1-35 审美意象(上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/5dd41980f7e57e77ec87c9e43bdd191e10ab8f13_subtitle.srt

1-36 审美意象(中）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/6e3f0b459bb987389f08fd22f923b6a2011a9649_subtitle.srt

1-37 审美意象(下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/d398d454363ef2d38e7aed775bc852b9b95cd6af_subtitle.srt

1-38 审美意象的民族性和世界性

1-39 优美与崇高

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/5ceaeb5493a2ea6a92d8fe6fd0903afd375979ac_subtitle.srt

1-40 艺术是世界的语言

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/2c1e4c55e672c977f25eca077495f5fa246d85c3_subtitle.srt

1-41 审美意象--优美

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/9876131acc7d3c8f3f1216d99fa34192a0cc1ebc_subtitle.srt

1-42 审美意象--崇高

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/153b9ad191736c6cc3522f37af40c4c23fcef48b_subtitle.srt

1-43 审美意象--悲剧

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/00a75148d27a87fd7fa30b91c8afb1be305b3ee4_subtitle.srt

1-44 审美意象--喜剧

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/0139c94db1fa9617a8919abe9803df206c27294c_subtitle.srt

1-45 艺术家与常人无本质区别

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/7fa160fb94978795936d1d0a19f2a95c4a34c0d9_subtitle.srt

1-46 艺术天才 之概念

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/fba2c8b7304538beaf2abed7c33bf53a6b20bc34_subtitle.srt

1-47 艺术天才的两个兼备条件

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/d0625d35b39460fbd91540f4da19d30d8de9f774_subtitle.srt

1-48 能力神思（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/d97f4216697d7bb3c944721708c20d4dca7b7fdb_subtitle.srt

1-49 能力神思（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/b90267036b0a4862832bb8f95ae85e4337a16255_subtitle.srt

1-50 形象记忆力

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/e5ed8646fe1fa49bb731332266dbf29a014578b8_subtitle.srt

1-51 技巧与体验的同一性

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/780a03c26fc1084a3556f0b77318432e48b8c914_subtitle.srt

1-52 常人通过艺术家而成为艺术家

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/62537da172f9ddb79936d258fb44c69d962ccc7f_subtitle.srt

1-53 艺术创作的本质（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/4f3cab8a4ba8931f8aa4aa261fd8387920c77633_subtitle.srt

1-54 艺术创作的本质（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/74a418f02428dc308b1ee471f1328baa15b03851_subtitle.srt

1-55 创作冲动

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/ea2629fdc305b8c6444dc0bf798fda12de351339_subtitle.srt

1-56 创作灵感

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/fa4938b308f62bae02408312fec9d30fb0ddb685_subtitle.srt

1-57 艺术传统与艺术创新（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/8c06495171d12378d33ea40949907cd45fc05f14_subtitle.srt

1-58 艺术传统与艺术创新（中）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/296e7a982857a72840b70aa30ca1e638edbf3c1e_subtitle.srt

1-59 艺术传统与艺术创新（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/050a20a5bcb5086502617f3fddf81e508a5f7f69_subtitle.srt

1-60 二度创造：表演艺术（上）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/8d0557e94fcf434a34f0a469cb4c18ec007c482f_subtitle.srt

1-61 二度创造：表演艺术（中）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/4f45c165ac6f2f4a12f20240b6bde56fb108efb4_subtitle.srt

1-62  二度创造：表演艺术（下）

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/2f7e9230af1c22703a3c8a74a6cad511a61e9bcd_subtitle.srt

1-63 演绎与文本：以音乐为例

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/fd32f5325f380394b48db30d2c59f0404a002b52_subtitle.srt

1-64 审美经验的非功利性

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/3ea10524ddc4de7b519a042d15fe13d94f7cc9f0_subtitle.srt

1-65 审美孤寂

https://znzmo-detail.oss-cn-shanghai.aliyuncs.com/1d1704b5734b340ca6c7205852e412ecef892fa1_subtitle.srt

1-66 重建知觉整体

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【复旦大学】艺术哲学与审美问题（全66讲）王德峰_【知末好课】

【复旦大学】艺术哲学与审美问题（全66讲）王德峰